abracanabra: (Default)
[Jim Brown] 1:07 pm: It has been researched that around only 7% of
what you use to evaluate what is being said actually comes from the
words.
[Jim Brown] 1:07 pm: The rest comes from body-language, context, tone

Deena] 1:52 pm: It might help to break down how the various social
media platforms work, what they do. Facebook is a semi-closed
system; so is Live Journal. They draw readers from their users.
WordPress.com is a bit more open, it also cross-promotes between
users better than Facebook and LJ. Red Room is great for authors, a
kind of one-stop shop. A standalone website is good, with blogging
software, especially if you cross-post to Facebook and Twitter. I don't
recommend Blogger because it doesnt...
[Deena] 1:52 pm: have that cross-promotional strength the others have.
[Jim Brown] 1:52 pm: A lot of people don't like Blogger because of that.
[Deena] 1:52 pm: And, as several people have mentioned previously, LJ
is great for the speculative author community; there are a lot of them
on LJ.
[Jim Brown] 1:53 pm: Wordpress is good because you can put it on your
own server.

[Deena] 1:54 pm: Blogger, maybe because it's owned by Google, does
seem to have a little bit of a leg up in search engine results.
[Caras Galadhon] 1:54 pm: ?
[Jim Brown] 1:54 pm: Something we have found VERY useful lately is
Goodreads.
[widdershins] 1:54 pm:    
[Deena] 1:54 pm: Oh, yeah, lots of people have talked about the power
of Goodreads, also library thing. There's some disagreement as to
which is best.

Caras Galadhon] 2:04 pm: (Sorry, I seem to be talkative today.) LibraryThing
has a similar promotional program each month called Early Reviewers. It
seems as if GoodReads has a larger casual userbase, but LT is more serious/st
ickier (and I find the folks behind the curtain are in more constant communic
ation with their userbase).

Synopses

May. 22nd, 2010 06:07 pm
abracanabra: (editing despair)
I have to write the synopses for Vicesteed now, and it's terrifying me. I mean, I can get it down to three paragraphs, but anything less than that feels impossible. And I'll definitely need a one-paragraph version and (ack!) a one-sentence pitch.

This is my best attempt at a sentence pitch (logline), and it's clunky, and doesn't address everything:
Vicesteed is a steampunk locked-room murder mystery set in a
far future where a woman whose only memories are of the vices of
others must fight through an unfamiliar neo-Victorian world to find
out who she was, who took away her memories, and what she really did
in her role as a vicesteed.


And for the paragraph, I've got this, but again, leaves maybe too much out, and the last sentence I fear is cliche:
In a Victorian steampunk future, QUINCY is a private investigator ordered to find the cause of the comatose Prince Consort's affliction. Two very different women are the key to solving this locked-room mystery: VALINDA, a former vicesteed searching for her identity--and her revenge--after escaping a theme park of depravity where her experiences were broadcast to a discerning audience; and ROSEMARY, a gently bred young lady with dangerous ties to a rebel underground and an unfeminine inclination to build clockwork automata. They unravel the conspiracy, but not before they find passion, betrayal, unwanted truth, and murder.

My problem:
How do you condense it all down to a pitch when you've got three separate plotlines equally balanced with three main characters, all of which interrelate but are more than just different views of the same thing? Just pitch the opening plotline and allude to the others? I can figure out how to get it down to three paragraphs, but a one-paragraph or heaven forbid one sentence pitch is beyond me. If I focus on the thing that they start out with in common, it requires way too much explanation of how they fit together. How did you do it? Any good resources to read for key things to include or exclude or look for?

CoyoteCon general summary advice )
abracanabra: (editing iffy)
Why transformative sex?
[teresawymore] 12:10 pm: yep Joely...and erotica has been limited in it
because it's viewed as a means to an end--a genre defined by its effect
rather than its storytelling. This focus on its effect makes authors
afraid to risk personal revelation, leading to procedural writing that
plays into myths and stereotypes about sex. Doesn't allow transform
ation of character or reader. Erotica has great potential to reveal
character through interplay of public and private information that no
other genre dares to embrace.
[joelysueburkhart] 12:10 pm: If a reader can skip your sex scene and not
miss something crucial, then it's not a transformative scene.

How to make it transformative
[joelysueburkhart] 12:16 pm: I like what Anna does with her sex scenes --
she treats each one like an individual hero's journey.
[Deena] 12:16 pm: Joely, and Anna, can either of you expand on that?
[joelysueburkhart] 12:16 pm: There are dark moments in each scene, inner
caves that must be explored, before you can return with the elixir.
[Deena] 12:17 pm: heh. I'm 12.
    [AnnaB] 12:17 pm: I try to treat my sex scenes like any other scene.
There should be something both or one of the characters wants, obstacles to
that goal and some sort of resolution.
[joelysueburkhart] 12:18 pm: Something is at stake. At any point they might
have to abandon the quest. That raises the emotion to a new high.
    [AnnaB] 12:18 pm: When I plot my stories (and I'm definitely a plotter) I
try to keep the Hero's Journey in mind for not only the external and internal
journey of the characters, but also their emotional journeys, which, since I
write erotic romance involves sex.

Remember the characters
[joelysueburkhart] 12:30 pm: For me, the spanking (or other sexual element)
has to be integral to the character. Why does he/she need it? What does it
show? It's not just the act.
abracanabra: (Default)
More highlights from Coyote Con!

Show what mental illness does and does not
Show the parts of the character that do tie in with mental illness, to make clear that there are other parts that *don't*. Not everything (good or bad) the char does is because of the mental illness.

Does and does not continued, schizophrenia, and society and mental illness. )
abracanabra: (motivation hazard)
Do not want to have a work project I need to do this weekend. Want to still be asleep. This is not the case. Alas. Well, if I get enough done (I should), I can go out for coffee with friends and then maybe take a nap before birthday party. Although I also have an online writing convention I want to sit in on. (And this is the problem with scheduling these things for weekends--most night events, I have other commitments. Harrumph.)
abracanabra: (Default)
Finding Experts
[MeredithHolmes] 8:29 pm: You're so right in never knowing where your
experts are. I've found a community on Live Journal called little_details and
it's amazing what kind of info you can find by posting a question there. It's
for writers (mostly) and really helpful. All answered by community members
and, if they don't know the details, they direct you to someone who does.

(paraphrased) If you feel awkward asking a professional your questions--just ask them if it's okay to ask questions. Maybe ask if buying them dinner would be an acceptable recompense.

[My $.02: Speaking of finding experts--I have a lousy memory so I
find it really useful to keep track of them! I recommend keeping an experts file
with contact info, context you know them in (so that you can remind them if
necessary) and specialization: friends, relatives, friends' relatives, people you
had a good conversation with once or attended a presentation by--everyt
hing. Also, I'm going to plug http://www.vark.com (again) You basically IM in
your question and it "finds" people in the network that it thinks can answer it. You might have to fiddle with your terms a little, but I've had good luck finding very specialized knowledge
(like what Russian Orthodox services would have been in the 17th century).
]

The usefulness of wrong information
nalohopkinson] 8:31 pm: Wikipedia; as you all probably know, it's
probably a good idea to double-check information you find on
Wikipedia.
[nalohopkinson] 8:32 pm: Thing is...
[nalohopkinson] 8:33 pm: even if you find that the "information" you've
discovered is incorrect, consider whether you actually need the facts in
that case, or whether the fiction can provide you with an interesting
plot point.
[nalohopkinson] 8:34 pm: Sometimes you absolutely need the correct
information. But sometimes the fanciful version can be a gift to an
sf/f/h writer.

Daily life--sources from the time period
[crneil] 8:41 pm: If you're working on daily life in the early part of the 20th
century of America or England, especially with what can be called the "gentle
folk," early etiquette manuals are terrific for finding out how daily life was
conducted and what people aspired to.
[nalohopkinson] 8:43 pm: If you want to know what people wore and
how it was constructed, old sewing manuals are great. The good thing
about looking up sources like old etiquette books and old magazines is
that you get a sense of how people spoke.
abracanabra: (editing iffy)
05/12/10, Wednesday
* Finished Critters critique and began MinnSpec one.
* Prepped Vicesteed ch. 31 for edits.
* Began making editing changes on Vicesteed ch. 30.
* Took down "Salvaging Scottwell" from Bookrix. I have learned a very valuable lesson, and that lesson is that I really don't have time to do a popularity-based writing contest properly. I just don't, and I shouldn't try.
* Worked on brainstorming "Remediation Town," the desertification-and-algal-bloom story. Not done yet. Need good reasons a bandit chief *wouldn't* want a town to prey on.
* Read Critters newsletter.

05/11/10, Tuesday, worked full-time and then had bridge night. But had a goodly amount of downtime at work.
* Finished redmarking Vicesteed ch. 30.
* Finished writing this Platinadar letter and typed it up. Just need to clean up my misc. notes and it's good to go.

05/10/10, Monday
* Processed Andromeda Inflight Magazine's form letter rejection of "Demons of Disease."
* Worked on redmarking Vicesteed ch. 30.

05/09/10, Sunday
* Attended CoyoteCon online panels.
* Read Duotrope, FFWSmallMarkets, and Ralan newsletters and updated markets from them.
* Told Critters about sale/pub of "The Radiator Burped" and "These Things Take Time."
* Revised the "to do once published/accepted" list.

05/087/10, Saturday
* Attended Coyote Con online panels.
* Read FundsforWriters and FFWSmallMarkets newsletters.
* Posted writing log, freewriting.
* Processed publishing contract for "The Radiator Burped" reprint in Northern Lights: A MinnSpec Anthology.
* Posted about publication of "A fob chain went under his vest, between ribs..." to Fb, LJ, Twitter,
abracanabra: (Default)
Research resources:
[CindyLynn] 5:48 pm: We spoke about research...do you guys have any
favorite books or sites? I use Kunz's the The Curious Lore of Precious
Stones and Maud Greive's Modern Herbal to base my magic on...
[Sun Wukong, the Monkey King]: Rachael de Vienne has entered at 5:49 pm
    [annathepiper] 5:49 pm: theoi.com is AWESOME for Greek mythos
stuff.
    [MeredithHolmes] 5:50 pm: The Element Encyclopedia series is great
[CindyLynn] 5:50 pm: Also, any final comments before we open the floor
for questions?
    [MeredithHolmes] 5:50 pm: and, oddly, anthropology books. and
pantheon.org
[akashina] 5:50 pm: I use history books on the time period I chose. If I
know nothing at all on the subject, I start with Wikipedia and go in
depth from there.
    [Heather Ingemar] 5:50 pm: I vote for Pantheon.org
    [Heather Ingemar] 5:50 pm: Great, great resource
    [Heather Ingemar] 5:51 pm: Where else could you find out that
vampires were also, once upon a time, allergic to dirty socks?
abracanabra: (Default)
This was another really good panel. There were lots of questions raised that could lead to good stories, and once the transcript is posted I'll put it here (my browser kicked me out partway through, so I lost the first half).

Resources
[kalcobalt] 3:45 pm: ah! Thanks, Deena.     I should put in a brief plug: my
website, www.kalcobalt.com, has LOTS of links both to nonfiction and fiction
regarding AI and sexuality (and most of it is free).    
    [kalcobalt] 3:46 pm: (At present the links are a bit buried in the information
nal posts -- website overhaul coming soon.)

10 Things You Always
Wanted to Know About Robot Sex (But Were Afraid to Ask) by Kal Cobalt:
http://www.circlet.com/?p=48

Questions this raised for me
How might the concept of "consent" apply to AIs, purpose-designed or otherwise? (I know there's no firm answer, but I'm interested in your thoughts.)

How does the consent issue change with AIs that are purpose-designed or not purpose-designed? How about "adulthood" as it applies to being able to grant consent with the learning neural nets approach to AI?

A ball of interrelated questions--Other than "romantic interest," how do you think sexualizing AIs might change the stories that are told about them? And how might gender performativity and expectations be superimposed onto AIs once that occurs? Do we have to watch out for the "noble savage" approach to AIs? How should/might their motivations differ from a human in such a relationship?
abracanabra: (Default)
Entire transcripts of CoyoteCon panels so far: http://coyotecon.com/transcripts/

One of the panelist's presentation written out in report form: http://wardancingpixie.blogspot.com/2010/05/coyotecon-presentation-rough-draft.html

Summary
You need to think about what you want religion to do to your world and your characters. Then you need to do a lot of research. Then you need to decide how much of that research should show.

Highlights
Read more... )
abracanabra: (Default)
This was good enough that there are no highlights--the whole thing would be one. Because I wanted to keep track of the info, my transcript is below:

Read more... )
abracanabra: (Default)
There was much general discussion, but the following tips are what I found most useful.

[FrancesP] 12:43 pm: Okay, tips for fixing passives:
[FrancesP] 12:43 pm: Get specific: “It was late when he arrived” turns into “he
arrived ten minutes late.” “He was a heavy-set man” turns into “he weighed
over two-hundred and fifty pounds.”
[FrancesP] 12:43 pm: Get descriptive: “She was tall” turns into “she towered
over her co-workers.” “The guy was short” turns into “the top of his head
barely reached her shoulder.”
[FrancesP] 12:44 pm: Expand the idea: “It was raining” turns into “rain
drizzled and pooled in the streets.” “I’m tired” turns into “I can’t force my
eyes to stay open for one more minute.”
[FrancesP] 12:44 pm: Flip it: “In the center of the room was a table” turns
into “a table occupied the center of the room.” “On the top of his head was a
hat” turns into “he wore a hat on the top of his head.”
abracanabra: (editing despair)
So sleepy. Lots of discussion, lots of examples, but it all came down to....

Write the people
frasersherman] 10:23 pm: You can write a story about someone who's
unemployed and the fact politics shapes the economy may be irrelevant to
the story you're telling. Or you can write something like Carpenter's "They
Live" which is very much about the politics of rich vs. poor.
[Victor Infante] 10:23 pm: Are you writing a story about a person or are
you writing a story about [their] unemployment?
[frasersherman] 10:24 pm: Exactly.

jamileigh17] 10:51 pm: Again, focusing mainly on SF... How do you
address political stressors without making it seem horribly dated 15 years
later? As in, knowing that there are certain cyclical patterns of human
behavior, how do you make a statement while keeping it from being
obsolete with the next election?
...[David Sklar] 10:53 pm: @jamileigh--I think, from my POV, the main thing
is to make it a _human_ story. To make the people real, make their
feelings and sufferings real.
...[David Sklar] 10:53 pm: If you can make the reader feel it, then that's
timeless, and the specifics of the politics will form around their association.

[This did make me think about writing politics in things, again, which I dealt with a little bit by writing a devout Christian, transgender, Tsarist Russia protagonist in "Ekaterina and the Firebird." The beginning of which I still need to poke at. Ahem. But anyway, it made me think about writing sideways? Either showing the elephant in the room by what people avoid or don't do or don't talk about, or doing a sneak attack by misdirecting people to focus on a noisy political thing that isn't the political gotcha of the story. Adding it to the writing challenges file.]
abracanabra: (editing)
Lack of sleep and the EST times listed made me miss the first session I'd planned to attend, but I got invited into the next one. That's pretty awesome, since it was a "limited attendance" session and the (free) "tickets" were sold out by the time I got there. So now I know to go hang out in one of the other chat rooms when sold out sessions are going on and see if I get invited (or can ask a moderator in, though that might be seen as rude, dunno).

Caroline Stevermer, [livejournal.com profile] 1crowdedhour, did an excellent job (not at all "crushingly boring!") discussing researching and sinking into the time period.

Summary:
Research is important. Primary sources (autobiographical) from the time period are a good immersion tool. You should befriend a research librarian if at all possible (aw, yeah--shout out to [livejournal.com profile] da_wyf). Follow the trail hidden in the bibliographies of reference books. I chimed in with my recommendation of the "The Writer's Guide to Everyday Life in [x}" series for general stuff and bibliography hunting and http://www.vark.com for getting answers to really specific, weird questions.

Highlights:

Seeing with the eyes of the past
    [CarolineStev] 8:29 pm: With a story that takes place in the past, I try to
figure out what it is that is an equivalent to our cutting edge technology. For
example, looking at the light rail trolley cars here, I think, neato! I fully believe
that if I were standing on that same street corner one hundred years ago, I'd
have thought neato (or the equivalent) just the same. As far as the dump of
facts, I have been thinking a lot about electric lines. We see them all the time
but we (at least I) don't notice them.
    [CarolineStev] 8:30 pm: They are intrinsic to our world but we take them
for granted. I try to get the things that are taken for granted in that place
and time into the story some how -- usually by having them malfunction or
be different in a way that surprises the viewpoint character.
    [CarolineStev] 8:31 pm: Another thing is to really listen to the way people
talk about things -- I listen to friends talk about their technology (iPads,cell
phones) and they talk about how to get things to do what they want them to
do better, faster, cheaper -- I believe that is an eternal human trait. Ingenuity.
It's figuring out what the equivalent would have been.

Conjuring another time
[Oliver] 8:41 pm: When writing historicals, do you have any 'rituals' to
slide your mind into 'another time...'? Do you find you have trouble
coming back to the present?
    [CarolineStev] 8:43 pm: Here's my big secret: I go to the local art
museum and hunt for an object from the place and time I have in mind. In
THE GRAND TOUR, a writing desk blows up while they are in Venice. (I don't
think that counts as a spoiler.) I picked out a table of the right approximate
place and time -- marble top, gilt legs, and I kept that in mind while I was
working on that section. I was never allowed to touch it, but having a real
object firmly in mind really helped ground me.

Wordplay
[CarolineStev] 8:52 pm: Here's the most horrible mistake I've ever made:
conversation in the early 19th century meant what intercourse means today.
So when I had Kate talk about her conversation with the bishop -- well, let's
just say that's not the kind of intercourse I had in mind. I was saved from
myself by a woman who has an advanced degree in English literature with a
specialization in the time period. She was very kind to me. I've never used
the word conversation in anything with that setting again.

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